Emerick's engineering career began with the Beatles' 1966 landmark Revolver,
trailed a year later by the groundbreaking Sgt. Pepper's Lonely Hearts Club
Band. Work on the group's so-called White Album and Abbey Road followed, as did
the Zombies' 1968 masterpiece Odessey and Oracle. With Badfinger's 1970 album No
Dice, Emerick began his career as a producer; he also helmed Paul McCartney &
Wings' 1973 smash Band on the Run, but otherwise spent the majority of the
decade's first half remaining in his engineering role, working on albums from
artists ranging from Tim Hardin to America to Nazareth. He returned to
production in 1976 with LPs from Robin Trower and Gino Vannelli, and a year
later helmed Split Enz's Dizrhythmia. Arguably Emerick's greatest work outside
of the Beatles' sphere was his production of the 1983 Elvis Costello classic
Imperial Bedroom; he reunited with the singer/songwriter in 1996 for All This
Useless Beauty, in the meantime working with Art Garfunkel and Tommy Keene. ~
Jason Ankeny, All Music Guide

Eddie Kramer is a world class studio engineer that made his name in the 1960s
and 70s. Eddie moved to England at 19, where he recorded local jazz groups in a
home studio and installed hi-fi equipment as a hobby. He later joined Olympic
Studios in London, engineering albums for The Beatles, The Rolling Stones and
Jimi Hendrix. Kramer later moved to NYC to work at the Record Plant, the most
innovative & modern studio at the time. In 1969 Kramer was hired to record the
Woodstock Festival for both the album and the movie. Kramer then engineered Led
Zeppelin II – the first of 5 albums he engineered for them. He produced an
instructional video, Adventures in Modern Recording; and also compiled a book,
From the Other Side of the Glass, which features photographs & stories about
artists he's worked with.